Frank
Lloyd Wright
By Sarah
Frank Lloyd Wright left huge impressions all over the
world. His architecture not only spanned many different
continents , but styles as well. His manor of style was
years ahead of his time, much like Oberlin. Oberlin has
often been viewed as more diverse and accepting than many
other communities in the nation. It is said that for many
years, Oberlin has been ahead of the rest of the world
when it comes to accepting new ideologies. In this sense,
Frank Lloyd Wright and Oberlin have many things in
common. Frank Lloyd Wright was a man who set new
standards and trends among the nation.
Frank Lloyd Wright was born in 1867 in Richland
Center, Wisconsin. He got his first drafting job working
with architect Alan D. Conover after dropping out of
Madison High School. He later moved to Chicago and began
to start a new life for himself. He got a job at the
architectural offices of Joseph L. Silsbee. In 1189 he
was married to Catherine Tobin and designed and built his
own home in Oak Park, Illinois. After several months with
Silsbee Wright joined the firm Adler & Sullivan.
Wright praised Luis Sullivan still many years later, as
"the master for whose influence, affection and
comradeship I have never ceased to feel gratitude." Many
times he was quoted as describing himself as, "a pencil
in the hand of the master." Wright traveled and created
many projects during his adult life. He went through many
jobs, projects, and women during this time period. In
December of 1925, he had his first child Iovanna, by
Olgivanna.
By 1927 he was traveling with his new wife Olgivanna
in Arizona, which is where he came up with the idea to
make homes a natural expression of their landscape. With
a small team, he and his family decided to camp out in
the desert rather than spending extra money on hotel
rooms. Here is where Wright came up with the idea that
would carry out for the rest of his career. By using some
of the simplest materials like desert stones, redwood and
canvas, Wright was able to create a small community which
later turned into his newest home, Taliesin West. It
began as a desert camp and evolved into a building with
masonry walls, redwood rafters, and adjustable canvas
blinds, which have been replaced by steel, glass, and
plastic.
In the 1930's Wright developed the concept of the
Usonian house which was a utopian plan based on urban
decentralization. Wright intended on matching the needs
and limited budgets of middle class families by creating
a home that was efficient, comfortable, and attractive.
In 1948, the Weltzheimer family of 127 Woodland Dr.
Oberlin wanted to build a home on a $15,000 budget. The
completed house in 1950 cost an excess of $50,00 due to
numerous changed during construction, the large dwelling
spaces, and large amounts of masonry and decorative
millwork done on the house.
Corresponding with other Usonian designs, the house is
a flat roofed, single-story, L-shape plan. The bedroom
wing is set at a right angle to the combined living and
dining areas. The house is placed on a long narrow lot.
It is set back on a forty five degree angle in order to
take full advantage of the view of the property. The
southern side of the house is equipped with clerestory
windows. They hep minimize the distinction between
interior and exterior, by creating a glass wall effect.
The use of other Usonian features, such as built in
furniture, cabinetry, and lighting all create a sense of
interior spaciousness throughout the house. The house's
unique designs are the curvilinear cut outs in the
clerestory panels on the outside of the house.
Two sets of owners made significant changes to the
house after Mrs. Weltzheimer's death in 1963. Later an
art history professor, Ellen H. Johnson bought the home
in 1968, and began restoration. She dwelled at the home
until her death in 1992. The house is now owned and
administered by Oberlin College, which offers guided
tours on the first Sunday and third Saturday of every
month.
The years 1946 to 1959 were the most productive years
of Wright's life. In this time period he commissioned 270
houses and designed more buildings than ever before.
Thirty percent of his buildings were completed between
1952 and 1959. Between 1955 a nd 1957 he focused on
interior designs such as rugs, furniture, and
wallpaper.
Wright worked very slow and unpredictably in his life
until 1946 when he began most of his projects. In the
later years of his life, he worked at a pace that seemed
to be making up for all the lost time he didn't use
before. He over saw the constructions of dozens of new
commissions each year and completed many of his designs.
On top of his completed works, he left hundreds of plans
that were never built. It was said that each construction
seemed to be more brilliant and startling than the
last.
Write was an inspired architect that carved many
images in what we consider architecture today. He changed
how people as well as other architects view architecture
and his designs will forever be original. His connection
to Oberlin makes both its history and his life more
interesting. There have not been many like him and
Oberlin is proud to say that they have a piece of his
work.
Cass
Gilbert
By Landon
Oberlin was blessed with the architecture of Cass
Gilbert for many of the college's facilities. Gilbert's
repertoire includes such buildings as the Minnesota and
West Virginia State capitols, the Woolworth building in
New York, and the George Washington Bridge over the
Hudson.. He also designed the U.S. Supreme Court building
in Washington D.C.
In 1905, Gilbert felt that Warner was the best of
Oberlin's existing buildings. He used its round-arched
styles throughout the campus. All of the five buildings
he designed in Oberlin-Finney Chapel, the Cox
Administration Building, the Allen Memorial Art Museum,
the Allen Memorial Hospital, and the quadrangle-used this
style. Gilbert chose historic buildings to model the city
after ranging from the twelfth-century France to the
fifteenth-century Italy. He even used Romanesque and
Renaissance styles. The buildings gave a Mediterranean
look to the simple atmosphere that Oberlin had.
Finney Chapel
Finney Chapel was made as a memorial to Charles G.
Finney. The entire building was funded by Finney's son.
However, there were some large problems throughout the
design process and construction of the building. The
donor interfered throughout all facets of the chapel's
building. Also, the college did not originally like
Gilbert's ideas. Through time, though, he persuaded them
to accept his plan.
Gilbert said that the style of Finney Chapel was
"quiet, serious, and strong." He used this as the theme
for the rest of the college. It was a Romanesque church
style from 12th century France.
Through time, the structure has been used for purposes
varying from religion to academics and music. Finney
Chapel is further used as the location for Oberlin High
School's graduation ceremonies.
Many renovations occurred after Finney Chapel was
completed. Over the ages, some aspects of the building
were changed. So, in 1982, William Blunden renovated the
chapel. He restored the chapel to the colors that Gilbert
had originally planned for.
Cox Administration building
This building was named after Jacob Dolson Cox. He was
a graduate of Oberlin College, a soldier, a politician,
and a scholar. His expansive career made him an
inspiration for many.
The main question about this structure was where it
was going to be placed. Some felt that Tappan Square
should be filled with buildings and Cox should be one of
those buildings. In a hope that Peters Hall would be
removed, Gilbert suggested its current placement.
The style, like all of Gilbert's Oberlin buildings,
was Mediterranean Romanesque. This was shown through the
tiled roofs that shield most of his buildings. Cox is
built with beautiful tan sandstone and is adorned with a
trim of red sandstone. To provide contrast, the roof is
made of a red tile, which makes this a truly harmonious
and pleasing structure.
Allen Memorial Art Museum
The Allen Memorial Art Museum was Cass Gilbert's third
building in Oberlin. It was completed at the peak of his
career, around June 1917. The building was completely
financed by Dudley Peter Allen, hence the name of the
museum. The museum became the first college art museum
west of the Alleghenies.
Gilbert had a closer, personal control over the
construction of this building. He guarded all facets of
its creation, from the mortar to the iron grillwork,
which was done by Samuel Yellin at Gilbert's insistence.
With this building, Gilbert wanted a Renaissance theme,
yet still displaying the Romanesque style. He
accomplished this feat splendidly. The collection
assembled at the Allen Art Museum contains over 11,000
works. For that reason, the museum is considered one of
the best college collections in the United States, which
makes it a distinguished cultural attraction of
Oberlin.
The Quadrangle
The Quadrangle was made to be the graduate school of
theology. It would give the theology students a campus of
their own. It would also provide a chapel, a library,
classrooms, faculty offices, a dining hall, a gym, and
living space separate for these students.
The first drawings of this building were made in 1919.
After that, much time was spent searching for money. All
plans were put on hold until 1930. At that time, the
Rockefeller's contributed a large sum of money to start
construction. One more time, the problem of the placement
of the building rose its ugly head. Many felt that all
the new building should be placed in the square. Gilbert
fought this idea for over 20 years. Although most of his
design for the city was not realized, his final attempt
to provide visual harmony to the town was a success. The
Quadrangle was a success.
Gilbert designed the hospital in Oberlin, most of
which is now covered over by expansion. He also planned a
complex on the grounds of the Oberlin Inn. This would
have been a multipurpose civic center that would have
included a modern inn and a restaurant. His concept was
shot down with two world wars and the Depression.
The works of Gilbert provide a great addition to the
town of Oberlin. Speaking about his father's work,
Gilbert's son said, "The stonework was American, the
character was based on Northern Italy, and the style was
1930 Cass Gilbert." Truly, Gilbert has been a blessing
and has provided the essence of what we consider Oberlin
to be.
First
Church
By Sarah
The Congregational Church of Oberlin was founded in
1834. Most of the townspeople were members of this
church; college students were required to attend. Father
Shipherd was the founder of the church and Charles Finney
was the minister after him. In the early days of the
church, there was no true meeting place for church
services to be held . Church services wandered between
several college buildings and ended up in a big tent in
the center of the square. This proved to be inadequate as
a place of worship. In February 1842, the church society
voted to build a meeting house. By June 17, 1842 the
first cornerstone was placed. Women, men, and their
children dressed up for the occasion in their best
clothes. Everyone met at the location where the church
was being built and sang hymns and listened to Professor
Finney lead a prayer. The corner stone was "well and
truly lain."
First Church was built from 1842 to 1844. It was built
from plans by Richard Bond. He was a New England
architect Charles G. Finney had met while recruiting
faculty in Boston. Finney's dream was to have an interior
with circular seating. First Church is a mix of Bond's
specifications, Finney's dreams, and the desires of the
congregation. Building the church was a community effort.
There is no idea of the cost because most of the capital
needed to build the church was donated by townspeople.
Craft workers of the town gave their time to help build
the church. Supplies were donated along with money.
People from other towns, such as Medina, also helped by
donating goods. Deacon Thomas Porter Turner, who was an
experienced house carpenter, was on the supervising
committee for the church.
First Church is built in the Greek Revival style of
architecture. There is a gentle pitch in the roof and
brick out from the wall in front, to make it look like
columns. The building is rectangular in shape. The
Parthenon in Greece was used as a model for this style of
architecture. Being a country whose government was set up
from Greek philosophies, this was a common style of
architecture in America. People from New England brought
this style of architecture with them when they moved
west. The Greek Revival style was used in America until
the end of the Civil War.
The orange brick meeting house faces east on the
corner of Main and Lorain Streets. Huge white wood roof
beams, twelve inches square, seventy-five feet long, span
the brick walls. Pine rafters and shingles enclosed the
church when it was first built, but in 1871, they blew
off in a storm. There have been many additions to the
church over the years. The townspeople decided to add a
tower to the church in 1845. The tower was taken from an
Asher Benjamin pattern book. The church was originally
designed to seat 1800, but it now seats only 1600. In
1882, First Church was remodeled adding stain glassed
windows. Those were replaced in 1927 with clear bubbly
glass. Twelve thick Doric columns supporting the balcony
were replaced by the present iron posts in 1892. In 1908,
more comfortable seating was added. In 1927, the pulpit
and organ loft were redesigned. One of the more recent
additions to the church was a new ceiling in 1983.
When the building of the church was finished in 1844,
it was the largest auditorium west of the Alleghenies.
First Church was not just built as a church, but also as
a meeting house. It has housed many things over the
years. For example, it was Oberlin's first fire station.
The fire trucks were kept in the basement of the church.
It also supplied a home for displays of paintings,
college classes, concerts, and commencement ceremonies.
The first commencement to take place in First Church was
in August of 1843.
Abolitionism was always prevalent in Oberlin. There
was a very strong feeling that slavery was wrong. The
Oberlin-Wellington rescue of 1859 was an example of the
determination of the people of Oberlin to assist the
slaves in their quest for freedom. Meeting and rallies
were held at the church in support of the men imprisoned
for their part in the rescue.
A Union rally was held in the church on April 17,
1861. It was held four days after the surrender of Fort
Sumter. Professor James H. Fairchild and lawyer John
Mercer Langston spoke at the rally. In the weeks
following the Union rally companies of Oberlin soldiers
were formed and they marched off to help in the battles
of the Civil War.
First Church remains a very important building to
Oberlin. It is still used today as a meeting house. There
have been many changes over the years that have altered
the building, but its roots and memories have remained
constant. First Church is an example of how a community
came together for a common goal and it remains as a
gathering point for people of all races, beliefs, and
backgrounds.
Adam
Joseph Lewis Center for Environmental Studies
By Joel
Oberlin has always written the book on technological
and architectural advancements, and The Adam Joseph Lewis
Center for Environmental Studies is the next chapter.
This six million-dollar, 14,000 square foot building will
be the most advanced, in the sense of being ecologically
sound, in the United States to date. The building is
named after Adam Joseph Lewis, a philanthropist from
Cleveland, who contributed the first million dollars and
the Lewis family's contributions have totaled 3.25
million dollars.
Three years ago, David Orr, the chair of Oberlin's
Environmental Study program set out on a mission to
construct a building that wouldn't only provide a place
for classes, but a building that would brake the mold on
the relationship between the environment and mankind.
There were a few questions:
1. Is it possible, in Ohio, to power a
building by sunlight?
2. Is it possible to create a building that will
purify it's own wastewater?
The answer to all of these questions is, yes. The Adam
Joseph Lewis Center will not only help the environment in
Oberlin, but it will hopefully set a new standard for all
new buildings in the century to come.
The architect who took the challenge of building David
Orr's vision was William McDonough, the leading green
architect not only in America, but also throughout the
world. Cleveland's own NASA Lewis Research Center also
contributed to the design process as well as Kevin Burke,
an energy and engineering consultant.
The most impressive part of the new Adam Joseph Lewis
Center for Environmental Study, are all of the
technological advancements that are being used in the
building. I guess that I'll just start from the top.
The roof will be made up of solar cells that will be
replaced within the next few years with even more
powerful ones. The hope is not only to be able to have
all of the electrical needs come from these cells, but to
one day have the cells generate more power than the
building will need, thus becoming a supplier. The solar
designs include overhanging eaves that will shade away
the summer sun while allowing the winter heat to
gain.
The Lewis Research center will also include special
windows that will take full advantage of the sun's power.
All windows are facing both the West and South sides, as
well as all major classrooms. The glass on the windows is
treated with a special UV protector that will monitor the
amount of UV light that will escape and enter the
building. This will help maintain a consistent
temperature inside.
The interior of the building is just as impressive.
The carpeting, which is leased from the manufacturer,
will be returned and recycled into new carpeting over
time. The carpet will also be laid in square pieces, so
if there is an accident, they won't have to discard the
whole carpet, only the piece that is ruined. The wood
that will make the chairs and desks is from a sustainable
forest and the seating material that will be used in the
seats in the auditorium will be biodegradable.
The heating and cooling for the building will we
controlled be geothermal wells. There will be several
closed loop pipes that will carry water to water heat
pumps located throughout the rooms of the building. Each
individual heat pump has the ability to control it's own
heating needs. It will be able to reject heat is it isn't
needed or extract heat from the circulating water, if
needed. Geothermal heating will reduce the energy
costs.
Not only is the building environmentally sound, but
the landscaping is as well. The North side of the
building is protected by trees. On the East side, none of
the gardens, orchards, or restored forest will be sprayed
with pesticides, which could harm other plants or animals
living in the habitat around the building. There will be
a pond on the Southwest corner of the land that will act
as water storage for irrigation. The water will seep down
into the land and become purified by the plants and
microorganisms. Some day we hope that we will be able to
use this water for recycling.
The jewel of the Adam Joseph Lewis Center for
Environmental Studies lies within the "Living Machine".
The living machine is a wastewater purification system
based on natures' nutrition system found in marshes and
ponds. Microorganisms will eat all of the waste in the
water, breaking down all of the impurities. The water
will then be pumped into a holding tank and will be used
for all of the non drinking water needs. Whenever a
toilet is flushed, the process starts over again.
The Lewis Center for Environmental Studies will not
only be used as a college facility. Community programs
and the local schools will also benefit for frequent
programs that have been and will be running through this
the environmental studies program and the Lewis Center
for Environmental Studies.
Breaking new ground, when it comes to new technology,
theory, art, or architecture has never been uncommon in
the community of Oberlin or in Oberlin College.
Revolutions in thoughts and dreams are what becoming a
more productive society is all about. Oberlin is once
again the leader in technological breakthroughs with the
new Adam Joseph Lewis Center for Environmental Study
building. From the ground breaking ceremony last
September, to the much anticipated opening in the months
to come, the Adam Joseph Lewis Center for Environmental
Study has already changed the way society must start to
look at life in the future.
Oberlin is as diverse as its inhabitants, and this can
be seen through its architecture and multi-culturalism.
Since the early 1800s Oberlin has been a safe haven for
different ideologies. From First Church to the A. Joseph
Lewis Research Center for Environmental Studies, Oberlin
has always been looking for ways to better itself and its
community. Even, architects as renowned as Frank Lloyd
Wright and Cass Gilbert have left their mark in Oberlin
with such great structures as the Allen Memorial Art
Museum and the Weltzeimer House on Morgan Street. Even,
Wilder Hall has its place in Oberlin history by catering
the various needs of the students today. The city of
Oberlin is very lucky for having such a broad range of
architecture, art, and technology combined.
Bibliography
Tafel, Edgar. About Wright. Canada: John Wiley and
Sons Inc. 1993.
Boulton, Alexander O. Frank Lloyd Wright: An
Illustrated Biography. New York: Rizzoli International
Publications, Inc., 1993.
Storrer, William Allin. The Architecture of Frank
Lloyd Wright. Massachusetts: Institute of Technology,
1978.
Blodgett, Geoffrey. Oberlin Architecture, College and
Town. Oberlin: Oberlin College, 1985.
Oberlin Community History. Pennsylvania: Josten's
Publications, 1981.
http://www.oberlin.edu/~EOG/gbslides/AShortHistory.html
http://www.oberlin.edu/~allenart/general-info.html
http://www.oberlin.edu/~EOG/HousesofWorship/FFirstChurch.html
Fletcher, Robert S. The Meeting House